What’s the best way to teach languages?

Here’s a link to an article in today’s Guardian newspaper which should help us think about what we are doing in our classrooms.

I love you in 311 languages. Image shot 01/2013. Exact date unknown.

http://gu.com/p/3fz6a

Tips for Speaking Tests (II)

In the first post in this series, we looked at structuring contributions in the speaking test, giving full, developed answers. In the second post, we are going to look at the language we use in the speaking exam.

In all levels of Cambridge exam, from YLE Starters up to Proficiency, there is, logically, a specific mark for pronunciation. When we talk about this aspect of language, there is a tendency to focus on accent, and specifically whether the candidate is capable of reproducing a particular native speaker accent. However, the examiner is not measuring the non-native candidate against a native-speaker norm. The emphasis is instead on reproducing the individual sounds, intonation and stress patterns of English in a way which does not impede comprehension. While higher levels of exam require the candidate to be ‘intelligible’, lower levels, such as KET or PET allow for a fairly intrusive L1 accent which may make comprehension more difficult at times.

The above video, from the Cambridge English TV channel on You Tube, focuses on word stress, and how a change in stress may mark a change in meaning, and so impede understanding if not reproduced accurately. This word stress can be realised in any accent, native or non-native. Similarly, sentence stress is not dependent on accent. English is traditionally a stress-timed language, as opposed to a syllable-timed language like, for example, Spanish. This means that a successful candidate should be able to place the stress on the correct syllables within an utterance, and at higher levels (CAE or CPE particularly) the candidate should be able to use stress to suplement the meaning of the utterance.

Another important aspect which can be reproduced accurately whatever the accent of the candidate is intonation. A successful candidate should be able to use rising and falling tones within the utterance in order to indicate the internal structure of the utterance, usually rising at the end of each element of a list, for example, or at breaks in an utterance usually represented graphically by a comma, then falling at the end of an utterance, represented graphically by a full stop.This can actually have more effect on understanding at times than accuracy in individual sounds. Several years ago, I examined a PET candidate who reproduced individual sounds acurately, but whose intonation was so wrong that he was almost impossible to understand.

Clearly examiners must also focus on the accurate reproduction of individual sounds. However, different accents imply different versions of individual sounds. Here too, the important thing is to be understood with relative ease, avoiding as far as possible L1 intrusions. It doesn’t matter if the student pronounces ‘Tomato’ as in British English or in American English, but if they say ‘city’ as ‘thity’ (a typical Spanish error, since in Spain, the ‘ci’ and ‘ce’ are pronounced ‘thi’ and ‘the’), that impedes understanding, and so is marked down.

Tips for Speaking Tests (I)

As the main external exam season starts, I thought this would be a good time to write a series of posts giving tips for how to approach the speaking exams in particular. To kick off, here is a new video from Cambridge English TV with some useful ideas about answering questions in the speaking tests.

Clearly, you cannot be marked on language which you do not produce, so you should aim to answer questions fully. However, sometimes the question seems to be asking for a simple answer – an apparently closed question with no interrogative pronoun. In this case, the temptation is to give the simple answer, but these questions are provided with a possible back-up question in the examiner’s script – ‘Why?’, so if the candidate does not elaborate sufficiently in their answer, they can be prompted to do so. It causes a better impression if the candidate does not wait to be asked why, but explains and elaborates their answer from the beginning. It shows they are more willing to speak, and gives a more natural feel to the conversation.

English: Speech balloons. Question and Answer....

(Photo credit: Wikipedia)

There is a great temptation to prepare answers beforehand, particularly for the questions in Part 1 of the test which everyone is asked (‘Where are you from?’  ‘Where do yo live?’ or ‘What do yo like about living there?’, for example). However, it is usually quite obvious to the examiner that an answer is prepared, and it will possibly be cut short. Teachers should be particularly wary of relying on prepared answers for their students. In one examining session last year, I examined eight or ten candidates from the same class, one after another. When asked ‘What do you like about living here in Madrid?’ every one of them spoke of the fantastic public transport system which the city has. Clearly, this quickly became irritating and received no credit.

Beyond the Communicative Approach – Chaos and Complexity in ELT by Maurice Claypole

Beyond the Communicative Approach – Chaos and Complexity in ELT by Maurice Claypole.

Classroom language for teachers: common mistakes – Luiz Otávio

See on Scoop.it – David Bradshaw ESOL

This post contains 10 examples of grammar and vocabulary mistakes novice EFL teachers sometimes make in their use of classroom language.

21 Brilliant British People Problems – BuzzFeed Mobile

I couldn’t resist sharing this here. I recognise too many in myself!

http://www.buzzfeed.com/expresident/british-people-problems?s=mobile

6 great things to do while you’re commuting | Teach them English

Here are some great ideas for time management from Adam Simpson. Happy Friday!

http://www.teachthemenglish.com/2010/10/6-great-things-to-do-while-youre-commuting/

Ceri Jones

kierandonaghy's avatarBRAZTESOL and IATEFL LTSIG

ceri_jones_the_image_conference

Teacher, trainer and writer Ceri Jones talks about herself and her session at The Image Conference.

Your favourite film:

I always find any question with “favourite” in it so difficult to answer.  My mind immediately either goes blank and I either can’t even think of one example or a huge list parades before my inner eye and I can’t possibly start to rank or choose one out of so many options.  And then the fear kicks in that I will be judged for my answer. These things can be so telling, people will tut and shake their heads (or that’s what my inner voice is telling me). My usual strategy to overcome my natural instinct to just shrug and say “dunno, haven’t got one” is to grasp at the first that comes to mind. Of course, that means the answer will probably be different each time, and dictated by so…

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Thesis Statements

This is a great post on an important area of essay writing.

Writing image

http://www.indiana.edu/~wts/pamphlets/thesis_statement.shtml

Variations on dictations

finger on it

This week I am working on dictations with my different groups, and I thought I would share a couple of ways I have found to make them a bit more interesting, both for the students and for myself.

 

Dictogloss

 

With my more advanced groups, I am using a dictogloss, rather than a traditional dictation. The teacher divides the group in half, and sets one half some work to do outside the classroom. This week I had them preparing a presentation on a famous person. Meanwhile, the teacher does the dictogloss with the other half of the group. This exercise consists in reading a text to the students three times at normal reading speed. During the first two readings, the students listen, and after each reading they are given time to write what they remember. During the third reading they are allowed to write, so that they can check and complete their texts. After this they should be given some time in pairs or groups of three to check their work with each other. This usually leads to some interesting discussions on grammar and structure as they access what they know in order to reconstruct the text.

 

The other half of the group is then brought back into the class, and each one is paired with someone who has done the dictogloss. These then dictate the text they received as a dictogloss to their partners (this is done as a normal dictation rather than as a dictogloss). Finally, the teacher collects the resulting dictation, and then projects the original text so that they can check their own answers.

 

In this video, you will see Dave Spencer from Macmillan doing a dictogloss exercise with a group of students.

 

 

Jigsaw dictation

 

With my less-advanced students, I am doing a variation of a running dictation. Before the class, I copy a text of a level which the students will find relatively easy, but I place the sentences in a different order. The disorganized text is pinned on the wall. The class is divided into teams of three or four. One member of each team goes to the text and memorises the first part before going back to his / her team and dictating it to them. The second member of the team then goes to the text and memorises the next part and so on. While the second member of the team is at the text, the first member of the team writes down what s/he has just dictated, so that everyone in the team has a complete text.

 

Once the team has dictated the whole text, they must decide the correct order for the sentences, writing a clean copy of the text. This can be treated as a race, or each team can simply read out their version of the completed text at the end of the class before the teacher projects the original text for them to check their work.

 

Here is a video with other ideas for organising a running dictation.

 

 

For an extension activity for running dictations, particularly for younger students, click here.